In the world of music today it would be considered weird, perhaps sacrilegious, for any group of professional musicians or individual musicians to insist that only one cultural genre of music was genuine and to demand therefore that all other forms of music be barred from performance.
In the world of knowledge, however, this kind of weirdness is existent and the COVID-19 pandemic is proving a prime example.
Because of the spread and magnitude of the pandemic and the fact that to date there is no evidence-based antiviral treatment specifically to tackle COVID-19, a rational policy ought. . .
