When writer-director Subhash Kapoor’s third feature film, Jolly LLB, opened in the multiplexes on the Ides of March, few expected it to set the box office on fire even though, by all accounts, it had the looks of an intelligent courtroom satire with the potential to earn critical encomiums. It did garner heaps of the latter, but it was the commercial success of the film that was the real surprise.
Jolly LLB is a low-budget film sans big names. So it did not trigger mass hysteria on the opening weekend. But its innate artistic quality and. . .
